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Jean Marc Nattier
Mademoiselle de Lambesc as Minerva, Arming her Brother the Comte de Brionne
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ID: 19624
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Jean Marc Nattier
1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life. Related Paintings of Jean Marc Nattier :. | Marie Zephyrine of France as a Baby | Princess Marie Adelaide of France | Portrait of Anne Henriette of France | Marie-Adlaide of France as Diana | Portrait of a Lady | Related Artists: PARENZANO, BernardinoItalian painter, Paduan school (b. ca. 1450, Parenzo, d.
ca. 1500, Vicenza). Francesco FracanzanoItalian ,
b. Monopoli 1612-d.1656 Naples
Naples.Brother of Cesare Francanzano. He moved to Naples in 1622 with Cesare and like him entered Ribera's workshop. In 1632 he married Salvator Rosa's sister Giovanna. His early style remains obscure. Bologna (1958) attributed a group of paintings to him that show half-length figures against a predominantly dark background, painted in deep colours with loaded brushstrokes. These pictures, among them two versions of the Prodigal Son. Johann Walterpainted Gustavus Adolphus of Sweden at the Battle of Breitenfeld in 1632
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